The Present and future of Technology-Enabled Art

Feb 3

People observing artwork projected on screen

Experienced Visuals has had the honor of collaborating with progressive art institutions like MoMA PS1 and Onassis ONX to celebrate the unique,media forward art practices of some of the most exciting rising stars of the art world. By leveraging Ryan’s expertise in creating and documenting such works, Experienced Visuals is uniquely positiioned to bridge the gaps between artist, institutions, and audiences when it comes to sharing artistic experiences both in person and virtually.

MoMA PS1: Ayoung Kim: Delivery Dancer Codex

november 2025

Three adult women smiling for the camera — *Ayoung Kim, pictured center.*

Ryan Muir was commissioned to document the Ayoung Kim installation at MoMA PS1, creating imagery reflecting the scale, precision, and atmosphere of Kim’s work. The photographs became a key part of the exhibition’s public presentation used prominently in social media and published in a Fine Arts review in the New York Times.

Through attention to context, audience interactions and other movement within the museum’s spaces, Ryan’s documentation served as a an artistic record —and also supporting critical discourse around the exhibition shaping how the work was seen and shared by audiences in real space.

Ayoung Kim’s debut U.S. exhibition at MoMA PS1 with Delivery Dancer Codex marks not only the first collected presentation of her acclaimed video trilogy in the United States, but is a notable punctuation mark on a remarkable ascent for an artist on the global contemporary art stage.

Over the course of 2025, Kim’s work was recognised on the cover of Artforum’s November 2025 issue and The The New York Times later named her one of the “breakout stars of 2025,” Her profile has surged from major solo shows at Hamburger Bahnhof in Berlin to prestigious awards like the 2025 LG Guggenheim Award in a remarkably short time.

At PS1, she brought together her ambitious trilogy of blended generative AI, video game engine and live-action derived installations. These works invite audiences into richly imagined worlds that interrogate labor, time, and algorithmic modernity— positioning her at the forefront of critical discourse around media art and emerging technologies, as a visionary voice in speculative practice.

Copies of the New York Times Fine Art section — *Our work was featured as a lead image in the* New York Times Fine Art Review of the show

ONASSIS ONX

UNDER THE RADAR: "We Have No Need of Other Worlds (We Need Mirrors)" by Graham Sack

JANUARY 2026

At Onassis Onx Studio, located in their new space in TriBeCa, the Under the Radar premiere of Graham Sack’s We Have No Need of Other Worlds, We Need Mirrors marked a significant presentation of new media exploration of spatial systems.

Known for his investigations into the psychological effects of mediated environments, Sack’s performance extended his ongoing inquiry into how contemporary technologies reflect, distort, and reconstitute human presence.

With expertise at the intersecton of art and technology Experienced Visuals was hired to document the multi-faceted event, translating a work grounded in personal experience into a an installation that resisted decisive moments, meaning emerging through observation,with subjective style imagery preserving the work’s conceptual uniqueness.

As the primary visual record of We Have No Need of Other Worlds, We Need Mirrors the pictures convey the physical scale and psychological resonance of the installation.

TECHNE Homecoming: reception

January 2026

Also on display at Onassis ONX Other works by Andrew Thomas Huang, Damara Ingles, Natalia Manta & Aias Kokkalis, Miriam Simun, Sister Sylvester, and Tamiko Thiel were on display as part of the Techne Homecoming opening celebration .

Each artist participating in the collective show involved themselves in speculative worlds where myth-making becomes part of the process. Artists showing work discus transformations via shape, essence and material both evoking a return to the self and reaching toward the archetypical.

Under The Radar: ¡Harken! by Modesto ‘Flako’ Jimenez

January 2026

An immersive reimagining of the fragmented history of Juan Rodriguez, this performance piece by Modesto ‘Flako’ Jimenez follows the story of New York’s first immigrant, where his ghost enlists modern day oracle ChatGPT, audience prompts, and generative AI to rewrite his colonizer-distorted story in real time.